Setting Up Hits on the "a" of 4

How To Drum - Blues Drumming

Everyone should know this beat. Everyone should also have a sense of humor. Hopefully, this helps on both fronts.

Latin Styles Drum Lesson Series

I've been putting out a bunch of "Latin" (which is a really wide and generic term) drum lessons lately. I wanted to explain the basics of alot of the styles. I thought I'd just lump them all here for easy reference. There will be follow ups, especially on the Mambo and Samba lessons, that will go a bit deeper.

Best Resources For Brush Playing

Email question...

Do you know of any good brush dvd/books?

YES!!! Clayton Cameron has a FANTASTIC book out on the subject. I love his b/c it goes into the nitty gritty of the brushstrokes, he has some rudiments for the brushes that he's created to help with the sweeping motions...it's called "Brushworks: The New Language For Playing Brushes"...it's a more modern approach...He also has a dvd called "Brushworks" that is a great view.

For a more "traditional" approach where you'll be learning the strokes of past jazz greats, check out these books...

"Mastering the Art of Brushes" (Not 100% on who the author is on that one)...cd and book together...shows alot of the jazz greats brushstrokes (Philly Jo Jones, Elvin Jones, Buddy Rich)

"The Sound of Brushes" by Ed Thigpen...cd, illustrated diagrams, and book examples.

Here's a free downloadable pdf of several brush patterns... www.prologixpercussion.com/JDW_February_2008.pdf...and check out Miles Davis' album "Kind of Blue"... absolutely classic brush playing on that one!

I hope that helps man!

-S

DRUM LESSON "How To Play The Soca"

I LOVE playing the Soca...so I thought I'd do a short lesson on a brief history and then the "how to" of the soca. If you want to skip the historical dissertation and get right to the nitty gritty, go to 3:05 in the video.

As a disclaimer...I'm a frickin' idiot...while filming this I didn't realize I was calling it everything but a soca...I called it a samba...I called it a songo...and I called it a soca...I went back to remedial drummer school and wrote on the blackboard 300 times "I will NEVER insult the soca again"...and then I had a cup of pudding...because I like pudding...

So pardon the edits, and anywhere I screwed up I tried to put a bubble in and correct it for ya.

DRUM LESSON: Starting a Fill On Different Beats So It Sounds Dope

Another lesson on drum fills...how to start them on different parts of the beat as well as how to come out of them correctly...Sheet music link here,or in the comments section of the video. Cheers!

Drum Vlog: How To Keep Time While Playing

Had a question come in on "How to keep time while playing"...They didn't elaborate, so I'm assuming they meant internally, or some methods to help them keep consistent time...Decided to do a vlog on this one. I knew everyone wanted to see my face anyways...

One Minute Drum Lessons...Great Drum "Snack"!

So through Facebook I've run across some really talented musicians...Mathieu Lescuyer is one of them. He puts out these sick, one minute drum lessons...let me just go ahead and say...if you're looking for a 10-20 minute drum lesson, this is not it! However, if you're looking for a great drum "snack" that you can watch and understand in less than a minutes time, well, this is for you. Really talented guy with a great idea...Check him out on Facebook at Mathieu Lescuyer Drummer or on YouTube at http://www.youtube.com/user/drummermathieu ...Cheers and happy drum snacking!

DRUM LESSON: A Different Samba Groove To Try

Here's a samba that I've been playing for a few years now...it's served me well when I wanted to add a little spice. If you're interested in the sheet music for the lesson, you can find a link to it in the comments section below the video!

DRUM LESSON: Playing with Four Sticks- A Breakdown of Steve Gadd's Groove For "Late In The Evening"

Steve Gadd played a killer Mozambique inspired groove over Paul Simon's smash song "Late In The Evening"...and he played it with four sticks! So I thought I'd break it down and show you how he did it...Cheers!

DRUM LESSON: Jeff Porcaro Implied Half-Time Shuffle

This one's all about the syncopation and then the permutation...to come later...

DRUM LESSON: Breakdown of Steve Gadd's Groove for "50 Ways To Leave Your Lover"

Just because I LOVE this groove and the way he decided to execute it...when I looked back I realized that I accented the snare a bit much...I'm an idiot...dually noted...hope you enjoy!

Advice on Rolls and Fills

So I got a question earlier from a drummer in India (the internet never ceases to amaze me)...typed up a WAY to lengthy response...and decided I would post my answer (for what it's worth) here...

Question:

I've just recently started playing in my church and I need some hints regarding rolls and fills...any ideas?

Answer:

Hints regarding rolls...hmmm...that's kinda've an ambiguous question, but I'll give you a long answer and hopefully it'll hit on something that will help...and if it doesn't, hit me back up w/ a more specific question. First let me say, kudos for playing in church! I started playing in church at 14 and it gave me 3 times a week to perform in front of a live audience...PRICELESS! You're gonna get TONS better just from learning and working through the music and getting that much on stage experience and time. Stoked for ya!

The most common problems I see w/ rolls are as follows:

1. The roll gets out of time with the song or the drummer comes back in incorrectly.

2. The fill rushes/drags.

3. The fill is to "Chopsy" (in other words, it's really flashy and shows off the drummers chops).

4. The fill doesn't fit the style of music being played.

Ok...now that I've diagnosed the majority of problems drummers have w/ fills, here's some quick fixes...

1. The roll gets out of time with the song or the drummer comes back in incorrectly.

This is very common w/ new drummers...lets face it, we didn't start drumming so we could play 30 minutes of groove timekeeping...We like the flashy stuff! And fills can be flashy. Alot of times a young drummer will get excited when they go into a fill, causing them to lose the beat and get "lost" in the fill. And when we're lost, we do the first thing that makes sense...we come back into the groove...and often we come back in on the "and" of 4...or two...or we turn the beat completely around...I did ALL of these when I first started! The cool thing about a church gig (and lots of others) is that you'll get the music beforehand, often up to a couple of weeks beforehand. THIS IS THE BEST GIFT THE BAND LEADER COULD EVER GIVE YOU!!! It not only gives you the chance to learn new music, it gives you the opportunity to PRACTICE to that new music. So pick out a simple fill you've been working on, listen to the song, learn where the transitions are, and then practice playing that same fill throughout the song. Once you get that one down, make up another fill and do the same thing, and another, and another...do this repeatedly. What repitition does is build confidence. When you go to play live in front of people, you're going to be nervous...and if you're not nervous, you're going to have extra adrenaline and endorphins kicking in, so the likelihood of you "screwing up" is higher due to the intensity and excitement being higher...and the way to defeat onstage nerves is to practice the things you'll be playing in front of people until you can do them in your sleep...that and stay away from the Red Bull ;^)

2. The fill rushes/drags.

My answer for the last one comes into play quite a bit with this one as well. That being said, this is where your metronome (Sounds of drummers moaning and cursing) comes in handy...and if you don't have one, please get one. There are several you can find online that will let you use them for free. Pick a groove, pick a fill, and pick a comfortable tempo. Play 4 bars of groove, one bar of fill (In time preferably). Repeat this eight gajillion times.

3. The fill is to "Chopsy" (in other words, it's really flashy and shows off the drummers chops instead of serving the music).

This is a HUGE pet peeve of mine...PLAY FOR THE SONG! When you're playing with a group of musicians (especially in a church setting), you're a part of a group, something bigger than your own individual playing. A huge out of place fill does nothing but detract from the song and draw attention to the drummer. Fills can often be one or two notes and fit the moment perfectly. This is very true in a church setting where the purpose is to draw peoples attention towards God rather than towards the musicians. Focus on simple fills that fit the mood and the moment...if you're going to the bridge of a song maybe an eighth note build between the floor tom and snare is all you need to build the moment. If you're going from the verse to the chorus maybe 2 beats of sixteenth notes on the snare will suffice. There are literally MILLIONS of options, just choose one that fits. The longer you do this, the more you'll actually stray away from the chopsy style of playing and aim more for the tasty style of playing...one that serves a purpose bigger than you...and you'll be suprised to find that there are a few places to throw some flash in AND serve the music!

4. The fill doesn't fit the style of music being played.

If you're playing reggae, there are certain fills that are native to that music...if you're playing funk, there are certain fills that are native to funk...if you're playing jazz...and so on and so forth. LISTEN to the style of music and the types of songs you'll be playing...take the time to transcribe and learn note for note some of the recurring fills you here in a certain genre of music. Take the songs that you'll be performing and try playing these transcribed fills over them. Any language has words and phrases that are native to it...and music is just another language...learn it, learn how to connect your phrases...the best thing you can do is listen...in the car, at the gym, while you're falling asleep...listen and learn.

Drum Lesson: Swiss Army Triplet aka "The Dirty Roll"

By request, more rudiments. Let me know if there's anything else you'd like to see a lesson on...

Drum Lesson: Traditional Grip

Drum Lesson: The Crazy S

Here another brush pattern called the "Crazy S"...For slow to medium tempo ballads...

ALL NEW!!! Video Lessons w/ Yours Truly...

I've been working on my studio for quite some time now...and it's finally done (for the most part...). Along with recording and live teaching, I'm going to be posting quite a few video lessons on YouTube. Hopefully, they'll be helpful to some...and if they are, pass them along...that's the thing I love about drumming, the community feel. The sound isn't the best, but that should be fixed with the next one.

Berklee Drum Lessons...

So I came across some great, downloadable drum lessons from a Berklee College of Music site called "Berklee Shares"...Check them out here...Everything from snare, to drumset, to latin, to jazz...heck, they even have some vibraphone pdf lessons...Enjoy!